THE ALEMBIC
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Frankfurt, 1550 (this selection also draws on a 1610 Basel reprint)

The Rosarium

A king and queen, twenty woodcuts, and the alchemical marriage from courtship to gold.

The Rosarium Philosophorum tells the Great Work as one continuous story in twenty woodcuts: a king and queen meet at a fountain, undress, unite, die, and rise again as a single crowned, winged body. Its stark black-and-white printmaking — a deliberate contrast to Splendor Solis’s gold — became the most widely copied visual sequence in the alchemical corpus, still cited by scholars of symbolism today. This selection draws on both the original 1550 Frankfurt sheets and a 1610 Basel reprint.